20th century poet, novelist, short story writer, essayist, editor and teacher
Robert White Creeley (1926-2005), poet, novelist, short story writer, essayist, editor, and teacher was born in Arlington, Massachusetts. He entered Harvard University in 1943, leaving after one year to drive an ambulance in the India-Burma theater of World War II. He returned to Harvard in 1945 and helped edit Harvard Wake, no. 5, a special E.E. Cummings issue, in which Creeley's first published poem, "Return," appeared. After dropping out of Harvard during the last semester of his senior year, he started a close and fruitful friendship with Cid Corman and helped launch Corman's magazine, Origin, which became the vehicle that most promoted Creeley's poetry in the 1950s. During the 1950s, Creeley taught at Black Mountain College in North Carolina and was an editor of its innovative literary journal, the Black Mountain Review. He received his BA from Black Mountain College in 1955. Creeley was one of the originators of the "Black Mountain" school of poetry, along with Charles Olson, Robert Duncan, and Denise Levertov. These poets developed the theory of "projective verse" — a poetry designed to transmit the poet's emotional and intellectual energy directly and spontaneously, depending on natural speech rhythms and line determined by pauses for breathing. Creeley's frequently quoted statement, "Form is never more than an extension of content," expresses an important precept of the Black Mountain poets. Although Creeley published several books of poetry during the 1950s, he did not received widespread recognition until 1962, when For Love: Poems 1950-1960 appeared establishing him as an important poet and presenting several of the concerns that occur throughout his work, particularly his focus on language and his preoccupation with human relationships. After getting his MA from the University of New Mexico, he taught there from 1961-1962. He has been affiliated with universities ever since, including University of British Columbia, and San Francisco State College. At the State University of New York at Buffalo, he was Professor of English from 1967-1978. In 1978 he was named David Gray Professor of Poetry and Letters, and presently he is their Samuel P. Capen Professor of Poetry and the Humanities. Creeley has received numerous awards for his work including the Levinson Prize in 1960, two Guggenheim fellowships, the Shelley Memorial Award and the Robert Frost Medal, both from the Poetry Society of America, and The American Awards for Echoes, 1994. He was elected to the American Academy and Institute of Arts and Letters in 1987 and received a Distinguished Fulbright Fellowship to serve as the Bicentennial Chair in American Studies at the University of Helsinki, Finland, 1988-89, and another Fulbright for the University of Auckland, New Zealand in 1995. He served as New York State Poet from 1989-1991. In 1995 he was a winner of the Lila Wallace-Reader's Digest Writers' Award. He is the 1999 winner of the biennial Bollingen Prize in Poetry, in June 2000, he was awarded the Lifetime Achievement Award from the Before Columbus Foundation American Book Awards, and he was the 2003 winner of a Lifetime Achievement Award from the Lannan Foundation.
If I Were Writing This
Just In Time: Poems 1984-1994
Life And Death
So There
Echoes
Windows
Memory Gardens
Mirrors
Later
Hello
“No poetic theories are required to support such art: [Creeley's] achieves its own permanence by relating at once to our own groping, semiarticulate wonder.”
— Joyce Carol Oates, New Republic on Robert Creeley's Hello
“Creeley is absolutely mesmerizing in his ability to suspend and to define the passage of thought, the process of experience in all its ironic, inexorable sadness. No poetic theories are required to support such art: it achieves its own permanence by relating at once to our own groping, semi-articulate wonder.”
— Joyce Carol Oates, New Republic on Robert Creeley's Windows
“Lawrence Ferlinghetti is our determined conscience, our wit and eloquence – our steadfast friend and witness – and our communal wisdom's articulate, patiently insistent old-time voice. Would that all might stand up as he and be counted!”
— Robert Creeley on Lawrence Ferlinghetti
“So remarkable an influence upon the poetry of our time.”
— Robert Creeley on William Carlos Williams's Spring and All
“…he is and will be always the magister, the singular Master of the Dance.”
— Robert Creeley on Robert Duncan
“Toby Olson proves a writer of remarkable range and capability, and these poems join the established situation of his prose to make a singular human articulation of those inner lives we lead in this world of adamantly 'outside' reality. Haunting as recollection, provocative as familiar feelings must always be, there is no end to the preoccupations of these texts. Like the old songs they often invoke, there is always more said, and more to say.”
— Robert Creeley on Toby Olson's We Are The Fire
“I think what most delights is the insistently human scale, the oldtime Roman clarity of terms. But there is also that timeless intelligence of love's musing reflection, in whatever language impinges, or makes possible such ultimately human speech. In short, Laughlin a gentleman and a scholar–and a poet of happily common places.”
— Robert Creeley on James Laughlin's A Commonplace Book Of Pentastichs
“What a clear, insistent health there is here––as if the so-called world were seriously the point, which it is, and we could actually live in it, which we do. Truly this is the best How To book I've read in years.”
— Robert Creeley on A Bernadette Mayer Reader
“Gustaf Sobin enters the subtle substance of words with such profound caring. Reading, one becomes immersed in language, swims in a physical sea of meaning which can only have breath for its sustenance. He is a consummate poet and Breaths' Burials is the farthest reach yet of his unique powers.”
— Robert Creeley on Gustaf Sobin's Breaths’ Burials
“In Paul Hoover's extraordinary book, powers of saying things are raised to the nth and prove a multiple assault on whatever way you thought was going to get you home. This is the real story, no matter what they say. Terrific. It's a really wild piece of work.”
— Robert Creeley on Paul Hoover's The Novel
“Michael McClure shares a place with the great William Blake, with the visionary Shelley, with the passionate D.H. Lawrence.”
— Robert Creeley on Michael McClure
Gottfried Benn
Johannes Bobrowski
Wolfgang Borchert
Johan Borgen
Edwin Brock
Romain Gary
Henry Green