America’s playwright
Arguably America’s greatest playwright, Tennessee Williams was born Thomas Lanier Williams in Mississippi on March 26, 1911. The son of a salesman and a Southern belle, Williams spent his much of his early childhood in the parsonage of his beloved grandfather, an Episcopal priest, but moved with his family to St. Louis, where he attended high school and began to write. Forced by his father to eave te University of Missouri and take a 9-to-5 job in a shoe factory, Williams became more and more determined to be a successful writer. He took classes at Washington University in St. Louis, and wrote his first plays. In 1938 he earned a degree fro the Univeristy of Iowa, where he wrote Spring Storm. Of the theater he remarked: “ know it’s the only thing that saved my life.” By 1939, he had adopted the name of Tennessee Williams, written Battle of Angels (for which he received a Rockefeller Foundation grant) and found his loyal and intrepid agent Audrey Wood. His first great success came in 1944 with his “memory play,” The Glass Menagerie, which opened in Chicago to rave reviews and moved to Broadway, where it won the New York Drama Critics Circle Award for best play of the year. A Streetcar Named Desire, his next play, was a huge success in 1947 and established Williams as the premiere American playwright of his generation. Between 1948 and 1959, he enjoyed a string of Broadway successes, including Summer and Smoke (1948), The Rose Tattoo (1951), Camino Real (1953), Cat on a Hot Tin Roof (1955), Orpheus Descending (1957) and Sweet Bird of Youth (1959). By 1959 he had won two Pulitzer Prizes, three New York Drama Critics Circle Awards, and a Tony Award. Movies were made of many of his plays and brought him huge success, renown and wealth. He continued to write voraciously, every day, producing novels, stories, and many new, radical and inventive plays, which did not always meet with the public’s approval, but which are now being revived and re-staged to great acclaim. As well as being astonishingly talented and prolific, Tennessee Williams was a man of considerable personal courage, willing to be open about being a gay man at a time when few were. Tennessee Williams is a cornerstone of New Directions, as we publish everything he wrote of his storied career. He is also our single bestselling author.
Orpheus Descending & Suddenly Last Summer
The Glass Menagerie (Centennial Edition)
The Magic Tower And Other One-Act Plays
The Rose Tattoo
Tales of Desire
The Night of the Iguana
Where I Live
Sweet Bird Of Youth
Camino Real
A House Not Meant To Stand
Traveling Companion
Memoirs
The Selected Letters Vol. II: 1946-1957
The Collected Poems Of Tennessee Williams
Mister Paradise & Other One Act Plays
Cat on a Hot Tin Roof
A Streetcar Named Desire
Candles To The Sun
The Selected Letters Vol. I: 1920-1945
Fugitive Kind
The Theatre Of Tennessee Williams, Vol. VIII
Eight Mortal Ladies Possessed
Vieux Carre
Stairs To The Roof
Spring Storm
The Glass Menagerie
Not About Nightingales
The Notebook Of Trigorin
Something Cloudy Something Clear
The Theatre Of Tennessee Williams, Vol. VII
The Collected Stories of Tennessee Williams
The Theatre Of Tennessee Williams, Vol. IV
The Roman Spring of Mrs. Stone
The Theatre Of Tennessee Williams, Vol. VI
The Theatre Of Tennessee Williams, Vol. III
Baby Doll & Tiger Tail
The Theatre Of Tennessee Williams, Vol. V
The Theatre Of Tennessee Williams, Vol. II
The Theatre Of Tennessee Williams, Vol. I
The Red Devil Battery Sign
Stopped Rocking And Other Screenplays
Clothes For A Summer Hotel
Lovely Sunday For Creve Coeur
The Two Character Play
Dragon Country
One Arm & Other Stories
Hard Candy
27 Wagons Full of Cotton
In The Winter Of Cities
“...Mr. Williams peels off layer after layer of the skin, body and spirit of his characters and leaves their nature exposed in the hideous humor and pathos of the truth.”
— New York Times on Tennessee Williams's The Theatre Of Tennessee Williams, Vol. IV
“Mr. Williams is a master of [the short play and these] show his skills at their languid best, as well as those qualities of compassion, sentiment and wry humor that run through all his works like the dominant themes in a symphony.”
— Clive Barnes, New York Times on Tennessee Williams's The Theatre Of Tennessee Williams, Vol. VI
“...the language in his plays is as inventive and evocative as any we've had.”
— Richard Gilman, New York Times on Tennessee Williams's The Theatre Of Tennessee Williams, Vol. VII