As alive as a Godard movie, this lost classic of ’60s French literature is back
As if the reader were riding shotgun, this intensely vivid novel captures a life on the lam. “L’astragale” is the French word for the ankle bone Albertine Sarrazin’s heroine Anne breaks as she leaps from her jail cell to freedom. As she drags herself down the road, away from the prison walls, she is rescued by Julien, himself a small-time criminal, who keeps her hidden. They fall in love. Fear of capture, memories of her prison cell, claustrophobia in her hideaways: every detail is fiercely felt.
Astragal burst onto the French literary scene in 1965; its fiery and vivacious style was entirely new, and Sarrazin became a celebrity overnight. But as fate would have it, Sarrazin herself kept running into trouble with the law, even as she became a star. She died from a botched surgery at the height of her fame. Sarrazin’s life and work (her novels are semi-autobiographical) have been the subject of intense fascination in France. Patti Smith, who brought Astragal to the attention of New Directions, contributes an enthusiastic introduction to one of her favorite writers.
“With Astragal’s English reissue and Patti Smith’s new introduction, there is the hope, perhaps slight, that Sarrazin will find a new audience and, with it, a new kind of freedom.”
— The Brooklyn Rail
“Sarrazin’s career may have been tragically curtailed, but her legacy is a novel that grateful readers are discovering now, almost 50 years after her death.”
“Smith's essay and Sarrazin's crackling and incandescent prose make Astragal a gift, a memento of a decade that was both rough and radical, yet full of potential, and the testament of two astonishing lives, one real, one fictive, both self-invented and utterly extraordinary.”
French-Algerian writer who wrote only two novels before dying at twenty-nine.more »
Paperback $ 15.95