Tablets: Secrets of the Clay

Dunya Mikhail

Dunya Mikhail is a woman who speaks like the disillusioned goddesses of Babylon. Blunt as well as subtle, she makes of war a distinct entity, thus turning it into a myth. To her own question, ‘What does it mean to die all this death?,’ her poems answer that it means to reveal the only redeeming power that we have: the existence of love.

Etel Adnan

A gorgeous fusion of poetry and art by “one of the foremost poets of our time” (The Christian Science Monitor)

Available Sep, 03 2024

Tablets: Secrets of the Clay

Poetry by Dunya Mikhail

“A bullet / then a siren / then ruins / then a bird song telling the truth”
—Dunya Mikhail

In her marvelous new poetry collection Tablets: Secrets of the Clay, Dunya Mikhail transforms the world’s first symbols—Sumerian glyphs that were carved into clay tablets—into the matter of our everyday contemporary life. Each of the ten sections in her book is composed of twenty-four short poems, and each poem combines both text and drawing. In her note to the collection, Mikhail writes, “I practiced at least two layers of translation in these tablets: the first from words in one language, Arabic, to another, English; and the second from words to images. What I received from my ancestors are offerings of the future rather than of the past. Now it’s my turn to offer them to you.”

Buy Tablets: Secrets of the Clay

Paperback(published Sep, 03 2024)

ISBN
9780811237970
Price US
16.95
Trim Size
6x9
Page Count
144

Ebook(published Sep, 03 2024)

ISBN
9780811237987
Portrait of Dunya Mikhail

Dunya Mikhail

20th Century Iraqi Poet

Dunya Mikhail is a woman who speaks like the disillusioned goddesses of Babylon. Blunt as well as subtle, she makes of war a distinct entity, thus turning it into a myth. To her own question, ‘What does it mean to die all this death?,’ her poems answer that it means to reveal the only redeeming power that we have: the existence of love.

Etel Adnan

The dead have words, because Mikhail has written them.

Barbara Berman, The Rumpus

Mikhail sings of the longing and undoing of exile, mourns the loss of her language, describes its gendering and the re-engineering on her tongue, a poet’s most important muscle. Delicate, beautiful, day-stopping.

John Freeman, LitHub