In her third collection in English, Phoebe Giannisi lays out her vision for a chimeric poetics that blends field recordings, state archives, and ancient texts. The center of Chimera engages with a three-year field research project on the goat-herding practices of a community of Vlachs, a people of Northern Greece and the Southern Balkans who speak their own language and practice transhumance. In these poems, day-to-day activities such as shearing and shepherding mix with snippets of conversations, oral tradition, and song—locating a larger story in this ancient marriage between humans and animals. Through her poetry and fieldwork, this mytho-historical connection between metamorphosis and utterance takes form in what the Greek newspaper Kathimerini calls “a bold achievement: a studio wherein poems and other texts, other voices, become exhibited."